MARC BOLAN and T.REX
First
there was Tyrannosaurus Rex – Then there was T.Rex
Biography
by
METTE
JUUL-NYHOLM
With much appreciated help from my very dear and much cherished friend
TONY
VISCONTI.
Mark Feld – (born September 30, 1947 – died September 16,
1977)
better known as Marc Bolan, was a singer, poet
and songwriter for the band Tyrannosaurus Rex and later T. Rex, from 1967
until his death in a car crash in 1977. He is credited by many as having invented glam rock. Marc
Bolan and
Tony Visconti largely (and, in many ways, unwittingly) invented the style that
would become glam rock
and helped restore a brash and exciting feel, when rock bands had grown
increasingly self-important. Marc & Tony is by many regarded as the new
Lennon/McCartney.
Marc also starred a cinema movie directed by Ringo Starr (former member
of The Beatles) called “Born to Boogie”.
This movie is loved by the fans and attempts are made to get Born to Boogie
shown in cinemas today.
The son of a Jewish lorry driver/caretaker, Marc Bolan grew up in
post-war Hackney in the east end of London and later in Wimbledon,
south London.
He fell in love with the rock and roll of Gene Vincent
and Chuck Berry
at an early age and became a Mod, hanging around coffee bars in Soho. He
was featured in an early 1960s BBC
documentary about Mods.
Marc Bolan briefly became a model, and had a short lived career as a solo
folk singer using the name Toby Tyler. In
1965 he joined the group John's Children, achieving some success as a live
band but selling few records. When the band dissolved, he claimed to have spent
time with a wizard in the south of France, who gave him secret knowledge. His
songwriting took off, and he began writing many of the neo-romantic
songs that would appear on his first albums with Tyrannosaurus
Rex.
After a short period of street busking he formed Tyrannosaurus Rex
with percussionist Steve Peregrin Took and released three albums and four singles produced by
Tony VIsconti, a young American living in London. Although commercial acclaim
eluded them, they had a strong cult following. The duo's early work received
airplay and support from Radio 1
DJ
John Peel, one of
their biggest fans.
Musical and ethical differences led to Marc Bolan sacking Steve Peregrin
Took. Marc replaced him with bongos player Mickey Finn,
releasing one album, A Beard Of Stars. For the follow up the band’s name was
shortened to T. Rex with the new
album having the same name; adding an electric guitar in the process. Marc’s
biggest ambition in life was to be famous. He wanted to be a star - right from
the very beginning. Even if it meant him being the star of 4 streets in Hackney
– he was always a star.
Marc Bolan married his girlfriend June Child (former secretary to the manager
of one of Bolan's idols, Syd Barrett)
on January 30th 1970. It was a private wedding with the closest friends
attending.
David Gilmour of Pink Floyd once noted, when asked about Marc in the
early days: "Marc
Bolan used to hang around in our office and sit on the floor, strumming his
guitar, flirting with our secretary, June, who, of course, he later married. He
was a great Syd fan. I was quite fond of him. He was a big pain in the arse, of
course, very full of himself. I always liked that thing where he called himself
the Bolan child, this magical, mythical name. It was really from his doorbell in
Ladbroke Grove. It had his name, and our secretarys surname, Child, so it read
Bolan Child and fans used to think, wow, he is the Bolan Child!"
He was writing songs at home, hoping to find that first hit. This he did
when, in 1970, he played for his wife a simple high-pitched four-verse tune called
"Ride A White Swan." He then immediately rang producer Tony Visconti
to sort out a studio session. The single was recorded and released, making slow
progress in the UK Top 40 and finally peaking in early 1971
at Number 2. Marc Bolan became a new star.
Marc Bolan and Tony Visconti proved to be a brilliant,
creative and innovative team as well as being very good friends. Marc was a
wizard of fantastic ideas for catchy melodies with adventurous lyrics and Tony
refined and developed his musical ideas, adding classical strings and rock horns
and mixing the T. Rex sound. It was a magical historic duo who created music,
styles and sounds still used today by new bands.
With his corkscrew hair, elfin boyish good looks, and cheekbones daubed
with glitter, Marc Bolan's emergence heralded the start of the glam-rock era of
British music, which also saw the rise of Marc Bolan's longtime friend David Bowie. It was
initially Chelita Sekunda who put glitter under Marc’s eyes and it was a big
success. Chelita also took Marc to Alkazura to find fabulous clothes for him.
Marc loved the style and he was wearing those colourful beautiful clothes for a
long period. In the beginning of his career his aunt made his amazing clothes
for him.
By now, T. Rex with Marc Bolan and Mickey Finn had bassist
Steve Currie and drummer Bill Legend completing the band. The lineup, wich by most fans is
regarded to be the true – the real T.Rex. Marc left his deal with Fly records
to join EMI. Fly released the album track "Jeepster" as a riposte to Marc
Bolan's quitting, and it peaked at Number 2.
Marc Bolan's next single was a five-minute song called "Hot Love”.
It was Number 1 for six weeks and was quickly followed by "Get It On,"
a grittier, more adult tune that spent four weeks in the top spot. The song was
renamed "Bang A Gong - Get it on" when released in the US
to avoid confusion with another song called "Get It On" by the group
Chase. The fans loved Marc’s new style and his fans exploded in numbers
everywere – However John Peel did not like Marc’s new style and he stopped
playing Marc’s music on his radioshow after years of helping Marc getting his
music out to as many as possible on the air. It was “Get it on” that brought
John to this drastic decision and this was the end of their friendship.
Sadly, in some sense, it was the only T. Rex song
to ever make the American top 40, reaching only the number 10 position - and
some people speculated that it would not have done that well, had the song not
included the backing vocals of Howard Kaylan and Marc Volman, thus pulling into
the American T. Rex fold a number of former Turtles fans. In England the song
was entitled "Get It On." But in America, to avoid confusion with a
song with the same name by another artist, it was retiled "Bang a Gong, Get
it On". Today, over twenty years later it is still played on Rock radio
stations, and it unfortunately is the only T. Rex song most Americans have ever
heard.
After completing most of the recording for the next
album and the American tour, Marc and T. Rex prepared to return to England. The
American tour had once again been a failure to a large extent. The newest T. Rex
recordings had not yet been released in America so, like the previous tour, the
concert attendees had come expecting to hear the older Tyrannosaurus Rex songs
and were unprepared to hear the newer, rockier, electric T. Rex songs that were
unleashed upon them. But when the band returned to England, they in turn were
unprepared to find what waited for them there. In their absence, T.Rextasy, as
the press called it, had erupted into full swing. Marc had become a big star –
his biggest dream had come true. He was a Star !!!
T. Rex's first concert at Bournemouth appeared more
like a football game than a concert. Scores of teenagers showed up wearing
coloured scarves around their necks and wrists upon which were imprinted the
names T. Rex and Marc Bolan. When the band took the stage, hundreds of young
girls swarmed to the front, clawing at each other to get as close as possible to
the new star of Rock and Roll. Outside, just getting to the waiting limousines
was a risk. Scores of young fans would toss themselves at the cars, clawing at
the doors, banging at the windows, trying to get a look at their idols. Many
fans even brought scissors and tried to cut a piece of Marc’s hair, which made
it very hazardous for Marc and the people around him trying to avoid the
scissors. In Newcastle the crowd broke down the front of the hall and in Glasgow
the city police had to be called in to help get the band out of the hall safely.
Each concert seemed to require more security than the last - a condition that,
as time went on, would make it more difficult for the band to tour England.
The only low point of the tour came during a gig in
Lewisham in July when confirmation of the death of Jim Morrison was received.
"Everyone laughed when I said there is no time," Marc said, "but
now I know that it’s right - I've got to give everything now, while I can.
Hendrix wasted the last two years of his life; just think what he could have
done in that time. There is no time, I may not be here in two years, I don't
know." One of many remarks from Marc, indicating that he didn’t see
himself getting very old. Chilling thought.
In 1972, Marc achieved two more Number 1s ("Telegram Sam" and
"Metal Guru") and two more Number 2’s. In the same year he appeared
in Marc Bolan and Ringo Starr's film 'Born to Boogie' a documentary (amongst
many other things; this was the early seventies!) of Marc Bolan's concert and
stage performances at the time. In the movie was the very famous Tea Party
Medley starring Marc as the Hatter, Tony Visconti as the Conductor, Ringo Starr,
Mickey Finn as guests and the two nuns being Marcs wife June and Chelita Secunda.
The waiter was Geoffrey Bayldon
(Catweasle). A movie very much loved by Marc’s fans still today.
Of the fans Marc had attracted, one of the biggest
was ex-Beatle drummer Ringo Star. The two had become close friends and Ringo
considered T.Rex to be his favorite band. He invited Marc to play lead on two
songs he was recording, "Have You Seen My Baby" and "Back Off
Boogaloo". Ringo was trying to establish a new career for himself following
the demise of the Beatles, and he was looking toward film to provide that new
career. His first project became basically a documentary on Marc Bolan and T.Rex.
The film was called "Born to Boogie". It was a mixture of live concert
footage, some studio footage, a comedy segment, and some short takes of Ringo
and Marc attempting some comedy. Marc’s very loyal fans today are trying to
get the movie “Born to Boogie” shown in cinemas again.
By 1973, his star gradually began to fade, even
though he achieved a Number 3 hit with arguably his most famous tune to the next
generation, "20th Century Boy."
The band disintegrated, and Marc Bolan's marriage
with June ended in 1973/74 in a separation. They never got divorced because none
of them would. This was very hard on him as June was his rock during his years
of becoming a star – looking after his best interests taking care of business
for him.
He disappeared for much of the next three years, continuing to release
underwhelming singles and albums. However, he managed to score one more UK Top
20 hit per year until 1977. Tony Visconti also left in 1974 because Marc
wanted to cut his salary in half and because Tony could’nt stand Marc’s
cocaine fueled ego any longer. The fantastic Bolan/Visconti sound ended here. The sound
was never the same again after the split of Marc & Tony. Zinc
Alloy and the Hidden Riders of Tomorrow was released on 1 February 1974,
and reached number 12 in the UK. The album harked back to the Tyrannosaurus Rex
days with long song-titles and lyrical complexity, but was not a critical
success, T. Rex by now had an extended line-up which included second guitarist Jack
Green and BJ
Cole on pedal steel. Soon after the album's release, Marc split with his
long time friend and producer Tony Visconti. And in December 1974, Mickey Finn too left T.
Rex due to the same reasons as Tony left. Soon after, for the same reasons, Bill
Legend and Steve Currie left as well. Marc never gave them a raise – still
paying them 75£ a week at the height of T.Rextasy. Marc had a very complicated
personality and because of this he created these unfortunate situations for
himself.
He started an affair with backup singer Gloria Jones.
That, along with Marc’s affairs with other women finally became too much for
June. She left Marc after visiting him in US where the affair with Gloria was
the last straw for June. They separated, but they never finalized their divorce
because neither of them wanted to. They felt that going to court would kind of
cheapen the love they still had for each other despite their separation.
Marc and Gloria were mainly living in America, but for a period they
lived in Monte Carlo. Gloria gave birth to a baby boy in 1975,
who they called Rolan Bolan. In this period Marc had a lot of problems with his
health – he gained weight as he was no longer a vegetarian, and he had alcohol
and cocaine problems. This was a serious downwards slide for Marc. He was very
frustrated because he never really made it in America. Marc suffered a heart
attack, but in 1977 he changed his way of living and lost a lot of weight, he
lived a healthier life with healthier food, no alcohol or drugs. He and June met
again privately on a number of occations and had long conversations.
Marc Bolan got a new band together and set out on a comeback tour, taking
along punk band the Damned as support, cleverly guaranteeing that a young
audience who did not remember his heyday would come to the gigs.
Marc then re-appeared in the public eye with a TV show called Marc in the
UK, where he introduced new and established bands as well as performed his own
songs. This was broadcast during the post-school hour on ITV
earmarked for children and teenagers, becoming a big success. The last episode
featured Marc Bolan's guitar duet with David Bowie 9 days before he died.
"20th Century Boy" introduced a new generation of devotees to
Marc Bolan's work in 1991 when it was featured on a jeans
TV commercial and was re-released, reaching the UK Top 20. Marc Bolan is still
cited by many guitar-centric bands as a huge influence. However, he always
maintained he was a poet who put lyrics to music. The tunes were never as
important as the words. He loved the sound of the words and this was more
important than the meaning of the sentences.
Many preferred the early long
haired Bolan but some quite liked the experimental phase he went through
visually.......he was light years ahead of the times..........the Bolantino and
New York City look were straight out of the New Romantic period which came many
years later from when Marc was doing it. Marc was always years ahead of his
time... Would have been fabulous if he was still here today... I wonder what his
life would have developed into by now... Looking at David Bowies journey in life
- Marc's would have been every bit as amazing.
Marc Bolan died tragically on September 16th 1977, two weeks before his
30th birthday. He was a passenger in a Mini
driven by his girlfriend Gloria Jones as they headed home from a restaurant.
The car collided with a sycamore tree after spinning out of control in Barnes,
London. For some of his fans the tree now acts as a shrine
to his memory and receives frequent visits from fans to this day as does his
grave at Golders Green.
At Marc Bolan's funeral, his coffin was covered in
a swan-shaped floral tribute in recognition of his breakthrough hit single
“Ride a white swan”. He is sorely missed by his close friends and his many
fans still today.
Marc Bolan's wife, June, unfortunately died of a heart attack
on 1. september 1994 on a vacation in Turkey
Gloria is married and lives in Cicinatti OH, Rolan
is persueing his own music career and lives in Los Angeles, California.
Discography:
Date
|
|
||
1965 November |
The Wizard |
||
1966 June |
The Third Degree |
||
1966 December |
Hippy Gumbo |
||
1968 April |
Debora |
||
1968
June |
MY PEOPLE WERE FAIR AND HAD SKY IN THEIR HAIR...
BUT NOW THEY'RE CONTENT TO WEAR STARS ON THEIR BROWS |
||
1968
August |
One
Inch Rock |
||
1968
October |
PROPHETS, SEERS AND SAGES, THE ANGELS OF THE AGES |
||
1969
January |
Pewter
Suitor |
||
1969
May |
UNICORN |
||
1969
July |
King of the Rumbling Spires |
||
1970
January |
By The Light of the Magical Moon |
||
1970
March |
A
BEARD OF STARS |
||
1970
October |
Ride
A White Swan |
||
1970
December |
T.
REX |
||
1971
February |
Hot
Love |
||
1971
July |
THE BEST OF T. REX |
||
1971
July |
Get It On (Bang A Gong) |
||
1971
September |
ELECTRIC
WARRIOR |
||
1971
November |
Jeepster |
||
1972
January |
Telegram
Sam |
||
1972
March |
TYRANNOSAURUS
REX (A BEGINNING) |
||
1972
May |
Metal
Guru |
||
1972
May |
BOLAN
BOOGIE |
||
1972
July 21 |
THE
SLIDER |
||
1972
July |
The
Slider |
||
1972
September |
Children
of the Revolution |
||
1972
October |
RIDE
A WHITE SWAN |
||
1972
December |
Solid
Gold Easy Action |
||
1972 |
HARD
ON LOVE |
||
1973
March 23 |
TANX |
||
1973
March |
20th
Century Boy |
||
1973
June |
The
Groover |
||
1973
September |
Blackjack |
||
1973
November |
Truck
On (Tyke) |
||
1973
November |
GREAT
HITS |
||
1974
February 1 |
ZINC
ALLOY AND THE HIDDEN RIDERS OF TOMORROW |
||
1974
February |
THE
BEGINNING OF DOVES |
||
1974
February |
Teenage
Dream |
||
1974
June |
Jasper
C. Debussy |
||
1974
July |
Light
of Love |
||
1974
November |
Zip
Gun Boogie |
||
1974
November |
GET
IT ON |
||
1974 |
LIGHT
OF LOVE |
||
1975
February |
BOLAN'S
ZIP GUN |
||
1975
July |
New
York City |
||
1975
October |
Dreamy
Lady |
||
1976
February |
FUTURISTIC
DRAGON |
||
1976
February |
London
Boys |
||
1976
June |
I
Love To Boogie |
||
1976
September |
Laser
Love |
||
1977
January |
To Know You Is To Love You |
||
1977
March |
The Soul of My Suit |
||
1977
May |
DANDY
IN THE UNDERWORLD |
||
1977
May |
A Dandy In The Underworld |
||
1977
August |
Celebrate
Summer |
||
1977
September |
BOLAN'S
BEST + 1 (EP) |
||
Thoughts
about Marc by
Tony
Visconti:
“I sincerely believe that
Marc still hadn't done his best work yet. He would've done amazing things had he
lived. The Children of Rarn was the start of his future. Had he lived, Marc
would have come up with yet a new thing after a period of seclusion and he would
have been succesful. He would have woodsheaded for a period and then he would
have come back strongly.”
We would like to thank Mette from all our hearts for this very personal biography on the real KING OF GLAM - Marc Bolan and T. Rex. and the help from Mr. Tony Visconti approves the authenticity of this unique biography.
Thanks again, Mette...!